
The Minneapolis Sculpture Garden's 11 acres and more than 40 works, including Spoonbridge and Cherry, are open year-round at no charge.
The Minneapolis Sculpture Garden, the 11-acre green space beside the Walker Art Center, is open and free, as it is every day of the year. More than 40 works are arranged across the grounds, anchored by the city's most photographed sculpture, the Spoonbridge and Cherry, the towering spoon-and-fruit fountain by Claes Oldenburg and Coosje van Bruggen that has stood at the garden's heart since it opened in 1988.
For neighbors on Lowry Hill, the garden is less a destination than a backyard: close enough to fold into an after-dinner walk, and free enough that there is no reason not to. It sits on the neighborhood's downtown edge, a short stroll from the historic blocks, and it draws a steady summer mix of families, joggers, tourists with cameras and locals taking the long way home.
The Spoonbridge and Cherry, conceived between 1985 and 1988 and funded by a $500,000 gift from collector Frederick R. Weisman, was the first work the Walker commissioned for the garden and remains its signature. But the grounds reward wandering past it: Katharina Fritsch's vivid blue rooster, Hahn/Cock, and dozens of other pieces from the Walker's collection are scattered among lawns and hedged 'rooms' designed to echo the museum's geometry.
The garden is run as a partnership between the Walker Art Center and the Minneapolis Park and Recreation Board, one of the largest urban sculpture parks in the country, which is part of why it stays free: it is treated as public park as much as museum annex.
Most cities keep their best art behind a ticket booth. Minneapolis put a 50-foot spoon in a public park and left the gate open.— LowryHillNews
The garden rewards an unhurried visit. Paths loop among the sculptures and lawns, benches invite a pause, and the open space tends to run a few degrees cooler than the surrounding streets on a hot afternoon. Because admission is free and the gates stay open through the long summer evenings, it is as suited to a ten-minute detour as to an afternoon.
Pairing a garden walk with the Walker's galleries or a free Music in the Parks night nearby makes for an easy car-free outing, the kind of low-cost summer plan the lake neighborhoods are unusually well placed to enjoy.
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The garden's free, all-hours character flows from how it is governed: jointly by the Walker Art Center, which supplies the art and curatorial vision, and the Minneapolis Park and Recreation Board, which treats the grounds as public parkland. That dual identity, world-class collection on one hand, neighborhood park on the other, is unusual, and it is why a piece like the Spoonbridge and Cherry can be both a serious work of contemporary art and the place where local kids run through the fountain spray on a hot day.
Since opening in 1988 the garden has drawn millions of visitors, and a 2017 renovation expanded and re-landscaped the grounds, but the founding bargain has held: the art stays free, and the park stays open.
The Minneapolis Sculpture Garden is open daily and free; the Walker Art Center publishes hours, accessibility information and directions, and the adjacent museum has its own admission and free-hours schedule. Parking is limited, so neighbors are encouraged to walk, bike or take transit.
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